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Do you know how a duck can get into a bottle?
Imagination.
The duck is real, the bottle is real, the duck in the bottle is not.
It is just imagination.
As with all narrative films, imagination is key. Parallel Tales moves seamlessly between the imagined lives of “Anna,” “Pierre,” and “Christophe” and the “reality” of...
The Cuban Revolution changed almost every part of life on the island, but one of the clearest signs of how seriously the new government regarded culture came only a few months after the fall of Batista. On March 24, 1959, the Cuban Institute of Cinematographic Art and Industry, better known as ICAIC, was created. The ti...
Cinema Without Borders is proud to announce the launch of CineMonth, a new editorial section dedicated to exploring the cinema of different countries around the world. The series will officially begin on November 2, 2026, with a special focus on Cuban Cinema.
Every other month, CineMonth will spotlight a different country through a collection of 20 ori...
Michael Younesi is an Iranian-American filmmaker, writer, and director based in Los Angeles. A graduate of USC’s School of Cinematic Arts, he has spent over 15 years directing award-winning commercials and entertainment projects for major brands and studios, including Disney, Netflix, Samsung, and Mattel. He is the co-founder of Concrete Studios and SuperCinema, a new indepen...
It had been a long time since I had seen a theatrical production that filled me with as much excitement and pleasure as Arash. Throughout the performance, I was so captivated, so completely enchanted, that I felt transported into the ancient past of my homeland. I imagined myself among those who loved their country so deeply that the strength of Aras...