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In the penultimate selection of reviews from my student days, I look at an eclectic group of movies dictated by what was being commercially released in Winnipeg back when we still had a variety of stand-alone theatres even as suburban multiplexes were beginning to suck the life out of exhibition…

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Well, hard as it is to believe, today is the sixteenth anniversary of the start of this blog. I guess that's some kind of accomplishment. I've posted at least once a week without a break – with a full-time job until two years ago, through production of a pair of long-form documentaries, occasional travel, shoulder surgery, a couple of heart attacks and Covid ... almost eleven-hu...

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I guess it’s not surprising that, having seen so many movies over the years, I have no memory of some of them – case in point, Marshall Brickman’s Simon (1980), which I had to look up on-line after rereading this old review from my student days; but even then no memories surfaced … everything in […]

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Hammer's new 4K edition of Val Guest's The Abominable Snowman (1957) restores its status as one of the company's finest films, long overshadowed because it was released just months after The Curse of Frankenstein changed the course not only of Hammer itself but also of cinematic horror.

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In this latest instalment of my student reviews are three features I actually liked, though I think I've only seen one of them since - Carroll Ballard's The Black Stallion (1979). Hal Ashby's Being There (1979) is revered, bit James Caan's Hide in Plain Sight (1980) has largely been forgotten. I also saw David Lynch's Eraserhead for a second time, two months after I first commen...

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