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As evidenced by the many intimate and autobiographical passages about self-doubt, numbness, and creative frustration it contains, this latest album from James was “forged from the fire of internal struggles.” Fortunately, all that inner turmoil ultimately resulted in an absolutely killer album that feels like a massive artistic breakthrough, so I guess it was all worth it (th...


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This is the second full-length that Carla Dal Forno has released since returning to her native Australia and those sunnier environs continue to have a welcome warming effect on her songwriting. She has also grown considerably more eclectic and inspired in both her instrumentation and her assimilation of fresh influences over the last few years while her songwriting talents ha...


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This latest full-length from guitar visionary Sarah Lipstate is a bit of an inspired outlier, as she has expanded Noveller’s usual guitar-centric palette to include a baby grand piano, percussion instruments, and an impressively Lynchian guest vocal performance from her occasional bandmate Iggy Pop. I suspect that such evolution was inevitable, however, as Lipstate now has a ...


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Previously a digital-only release as part of Francisco López's Two-Headed Snake series of collaborations, this split release between him and equally legendary composer Éric La Casa features the two working independently, but from shared source material. What exactly that source material is never becomes entirely clear, but it gives a consistency between two v...


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This latest album from Sublime Frequencies co-founder and Cairo-based expat Alan Bishop’s long-running and eclectic solo project is a bit of a pleasant surprise, as he enlisted an absolute murderers’ row of talented collaborators to record a collection of mostly original new instrumental pieces. Notably, the album is billed as “drifting closer” to late-period Sun City Girls a...


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