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A haunted Irish hotel becomes a site of personal reckoning for a haunted man played by Adam Scott in Damian McCarthy’s surreal horror-comedy.

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From Coffin Joe’s blasphemous birth in the 1960s to today’s socially charged nightmares, Brazilian horror has repeatedly repurposed global genre tropes to confront religion, patriarchy, class and power in ways that are vivid, inventive and unmistakably local.

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Filmed exclusively on the original home movie format and with 80 different antique Super 8 cameras, Ed Sayers’ film celebrates our universal connection to nature.

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Opera director Damiano Michieletto discusses bringing Antonio Vivaldi’s early Venetian years to the screen in Primavera, a film that blends Baroque music, modern soundscapes and a quietly radical story of art, ambition and female disquiet.

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Following A Passage to India, David Lean took a public vote for which big novel to adapt next. Joseph Conrad’s Nostromo proved a popular suggestion, but sadly Lean died before cameras rolled. These designs give a clue to how it would have looked.

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