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Message History

Claire Fontaine, Untitled (Someone is getting rich), 2012, installation view at Paris+ par Art Basel 2022. Courtesy of Paris+ par Art Basel

Art Basel will close its Paris fair early due to safety concerns amidst the student protests.

The fair opened on Wednesday to collectors and artworld insiders with VIP cards, and was supposed to close Sunday. It has...


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How to engage with art as a communal rather than elitist good

With a tendency for arts institutions in the Global North to publicly claim a politics of care for the global majority, all while extracting from those very communities and propagating exploitative labour practices internally, an initiative like ART for The World has never felt more impor...


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The 2003-founded troupe’s theatre productions are a site on which fiction and reality are constantly confused – and so to in the gallery

Lagartijas Tiradas al Sol (Lizards laying in the sun)’s vision of theatre involves sparse scenography (more honest than it is minimalistic), a bold juxtaposition of the historical with the confessional and a prefer...


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After seeing Ryan Gander’s exhibition One Hundred Things Twice, Hana Elhaddad wrote an open letter to the artist outlining her concerns

Dear Mr Gander,

When I arrived at the Salzburger Kunstverein at 20:29 on Friday 14 August, I thought your exhibition space facing the Kunstverein’s entrance was a boarded-up construction site. Beh...


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The artist’s ode to New York is strangely empty, and that’s probably the point

Jutta Koether’s exhibition cycles nimbly through several leitmotifs. These include her signature cartoon faces, which materialise, spooked and hollow-eyed, from bogs of spermlike tildes in paintings on the gallery’s ground floor like Soulpack (2000) and Inter...


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