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April and Lance Ledbetter of Atlanta's Dust-to-Digital join us for a discussion about the label's new radio app, Dust-to-Digital Radio, and the art of sharing archival music in the digital age: "The technology is amazing. I couldn't have imagined it 20 years ago. I mean, maybe Nikola Tesla or some science fiction writers could have, but it’s changing so fast."
The post...
Enveloping and unhurried, Wax Machine drifts between jazz, funk, bossa nova, rock and folk traditions, wrapped in a soft psychedelic sheen. These songs settle deep into the pocket, rewarding attention without ever demanding it. It's music that invites immersion rather than insistence.
The post
Paste-up scrapbook transmission, ya heard? D’Ya Hear Me!: Naffi Years 1979–1983 moves through a corner of British post-punk where homemade electronics, dub atmospherics and soft-focus pop dissolve into one another. Domestic and nocturnal, drum machines pulse beneath elastic basslines, guitars drift through tape haze, melodies appear only to evaporate. Reggae permeates ...
Across Nashville sessions, kosmische excursions, and off-center country-rock detours, Sean Thompson has quietly become one of the city’s most versatile guitarists. On the new Weird Ears instrumental LP Inner Principles, he pulls those threads into a fluid, atmospheric set that moves between ECM-style spaciousness, late-night boogie, and warmly exploratory ensemble inte...
Originally released in 2006, Rainbow remains one of Boris’ most transportive recordings: heavy but unforced, suspended somewhere between slow-motion psychedelia and late-night amplifier glow. Nearly twenty years later, the newly released Rainbow 2 extends the world of the original with two side-long pieces drawn from the long out-of-print Rainbow box set,...