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While half of the world is burning, Allegra will close shop for a much-needed period of rest . We’ll be […]

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This afterword reflects on the practice of ethnography through the metaphor of the anthropologist as a tuning fork—an embodied instrument attuned to the subtle or violent vibrations of lived experience whilst working through ethnographic materials.

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This experimental essay treats uncertainty as bodily and relational and uses rhythm as a way of noticing it. It begins in the writing vibrations of the Poetic Resonance Protocol and carries their structure through the composition of the piece.

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During a multispecies ethnographic fieldwork in a Danish private garden, I encountered a weird-looking gourd (Calabash) that was turned into a birdhouse.

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This essay explores how the poetic resonance protocol enabled a deeper, embodied engagement with my ethnographic object: a poetry workshop conducted with wildfire-affected residents in northern Germany.

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