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Adult Music

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Website title: Adult Music

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"Soprano Siren, Soprano Sax”

In this episode, we discuss recordings of “Barbara Strozzi. Virtuosissima Sirena” (Arcana) by Laura Catrani & Accademia Dell'annunciata / Riccardo Doni, “Schumann & Moscheles: 1851 Cello Sonatas” (Hyperion) by Steven Isserlis & Connie Shih, “Beyond the Pacific” (Orchid Classics) by Trio Barclay, “Foolin’ Myself” (A.MA Records) by the Max Kochetov Quartet, “Familia...


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"Fireball in the Concert Hall”

In this episode, we discuss recordings of “Mediterranean Melodies: Virtuoso Sonatas and Canzonas c. 1600” (MDG) by Duo GlossArte, “The Bassoonist’s Songbook” (Chandos) by Amy Harman & Tom Poster, “Crossing the Bar” (Avie) by Mika Stoltzman, Richard Stoltzman & Members of the Boston Symphony Orchestra and Boston Modern Orchestra Project, “Essais, Volume 6” (Alea) by th...


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"Everything In Between (with guest Iakovos ‘Jako’ Symeonidis)”

In this episode, we discuss recordings of “Jan Dismas Zelenka: Missa Circumcisionis ZWV 11” (Accent) by Collegium 1704 & Collegium Vocale 1704 / Vaclav Luks, “Giorgi Gigashvili Plays Prokofiev - With All My Breath and All My Blood” (Alpha) by Giorgi Gigashvili & Lisa Batiashvili, “Symbiosis · Tribute to Bill Evans (Mikkelborg & Ogerman)” (Pentatone) by the Thomas ...


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"Quartets Aligned”

In this episode, we discuss recordings of “Carissimi: Jonas (Live)” (BR Klassik) by the Bavarian Radio Chorus & Il Giardino Armonico / Giovanni Antonini, “Enescu & Mendelssohn: Octets” (Erato) by Quatuor Ébène & Belcea Quartet, “Fundal, Christensen & Eichberg: Viola Concertos” (Dacapo) by Rafaell Altino, the Odense Symphony Orchestra / Pierre Bleuse & Davi...


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"Wake Up Call to the World”

In this episode, we discuss recordings of “Le Carillon des Regrets” (Solo Musica) by Alex Jellici & Matías Lanz, “Brahms: Double Concerto and Mozart: Sinfonia Concertante” (Nimbus) by Leoš Čepický, Michal Kanka ＆ Komorní Filharmonie Pardubice / Stanislav Vavřínek, “Dan Locklair: Sing To The World” (Convivium) by Iain Farrington & Phoenix Consort / Adam Whitmore, “Intr...


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