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I found myself thinking about some past summers and winters in London. Some scenes I photographed stayed with me because they come from moments when more extreme weather conditions could make you look twice before you immediately recognise something as “London.” This photograph, for example, comes from a winter moment with enough snow to hide...
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It’s not uncommon nowadays to come across out-of-production or repurposed movie film for both 35mm cameras and medium format. Movie negative color films have different chemistry compared to still photography films, and as you might guess, this affects many characteristics of the final images. Technically, the difference lies in the presence of a remjet layer...
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I was there after a morning meeting, part of the routine marketing work that freelancing tends to require, now walking through central London on my way to the tube station with less urgency. It was a few years ago, during one of those unusually warm summer days that now appear more often in London than...
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Mandler is one of the most recent brands to enter the M-mount lens market. The Mandler name and branding clearly echo Leica DNA – and their first released lens – Mandler 35mm F2 7 Element – is essentially a cosmetic copy of the legendary Summicron 35mm f2 version 4 (KOB). At 350 USD, this lens...
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Having succumbed to the temptation to impulse buy a camera that I knew only by its reputation for having long been the inexpensive way into medium format, a Lubitel 166, I decided to compare it with a camera that should provide it with stiff competition. Ideally I would have used my Minolta Autocord, which also...
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