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Title: British Journal of Photography | Photography Journal | 1854 Media

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Farewell Jean-François Leroy, passionate director of Visa pour l’Image and defender of photojournalism
Jean-François Leroy © Stephan Vanfleteren Director of the Visa pour l’Image festival of photojournalism for nearly 40 years, Jean-François Leroy passed away just as it opened for the 38th time

Jean-François Leroy, co-founder and director of Visa pour l’Image, has died. Leroy passed away from cancer on 31 August, just as the festival of photojournalism...


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Making Chris Killip’s North
Seacoal beach, Lynemouth, Northumberland, 1983 © Thames & Hudson / Chris Killip Photography Trust / Magnum Photos “To be given the keys to the archive is a privilege,” says Mark Holborn who, nearly four decades after editing Chris Killip’s seminal In Flagrante, was trusted by Killip’s son Matthew to make a new book of his work, North

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Spotlight on Takuma Nakahira
Takuma Nakahira in the coffee shop at the Nagisa Hotel in Zushi, Japan, February 1972, from At the Limits of the Gaze: Selected Writings by Takuma Nakahira (Aperture, 2025) © The Estate of Isao Sekiguchii Takuma Nakahira was a prolific theorist as well as a cutting-edge image-maker and co-founder of the radical Provoke magazine...

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Rania Matar’s Where Do I Go? documents Lebanon’s women through a question the country won’t stop asking
From Where Do I Go © Rania Matar Rania Matar returned to Lebanon for years to photograph the women navigating a country in perpetual crisis. By the time her book was published, war had returned with a question impossible to ignore

The Holiday Inn Beirut has not been repaired in 50 years. Back when it opened in 1974, it was a monument to the city’s glam...


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Sergio Valenzuela-Escobedo deconstructs the genealogy of the camera in Mänk’áčen
Untitled (Black Sheet), 2017 © Sergio Valenzuela Escobedo, courtesy the artist Sergio Valenzuela-Escobedo’s latest exhibition, Mänk’áčen (Revision 6), at Mumbai’s Dilip Piramal Art Gallery, National Centre for the Performing Arts, expands on long-term research into the genealogies of the camera in relation to pre-photographic modes of visu...

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